真清水蔵六の略歴　(Mashimizu zoroku)

初代蔵六は、1822年に京都の清水家に生まれ、幼名を太三郎（田三郎）といった。23歳のとき、五条坂西落町に窯を開き、「蔵六」を名乗る。その後、五条坂八幡前之町に移窯した。

妙法院の高教仁法親王の御庭焼を手がけ、「真」の字を賜ったことから、姓を真清水と改める。

明治元年（1868年）には、外国博覧会への出品作品を制作。また、高麗の古陶器や古瀬戸、伊賀、唐津などの古作を多く手本とし、作品に取り入れた。

Mashimizu Zoroku I – Kyoto Potter and Master of Classical Revival

Mashimizu Zoroku I was born in 1822 into the renowned Kiyomizu family of Kyoto. His childhood name was Tasaburō (or Tazaburō). At the age of 23, he established his own kiln in Nishiochō, Gojōzaka, Kyoto, and began using the name Zoroku. He later relocated his kiln to Yawata-Mae-no-chō, also in the Gojōzaka area.

Zoroku gained distinction when he was commissioned to produce oniwayaki (garden ware) for Imperial Prince Takamichi, the high priest of Myōhō-in Temple. In recognition of his work, he was granted the character "真" (ma or shin, meaning "true"), and thereafter changed his family name from Kiyomizu to Mashimizu.

In 1868 (Meiji 1), he created works for international exhibitions. Zoroku was deeply inspired by classical pottery styles, drawing influence from Korean ceramics, old Seto ware, Iga ware, and Karatsu ware, which he skillfully incorporated into his own creations.

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