Kiyomizu Rokubei – A Multi-Generational Legacy of Kyoto Pottery
Rokubei I (1738–1799) The first Kiyomizu Rokubei, born in 1738 (Genbun 3), established a kiln in Gojōzaka, Kyoto, laying the foundation for a ceramic lineage that would continue for over 200 years across six generations. He was known by the art name Gusai and maintained close friendships with prominent painters such as Maruyama Ōkyo and Matsumura Goshun. Renowned for his exceptional wheel-throwing (rokuro) skills, he was highly regarded as a technical master even in his own time.
Rokubei III (1820–1883) Taking the art name Shōun, the third-generation Rokubei played a pivotal role during the late Edo and early Meiji periods. He upheld and developed the stylistic traditions of the second generation, preserving the family legacy while excelling in potter’s wheel and spatula carving (herakezuri) techniques. His works are known for their bold and dynamic style, earning him the title “Restorer of the Kiyomizu House”
Rokubei IV (Dates unknown) The eldest son of Rokubei III, he succeeded the title in 1883 (Meiji 16) after his father's death. At a young age, he studied painting under Shiokawa Bunrin and formed connections with influential artists such as Kōno Bairei and Tomioka Tessai. In contrast to the bold aesthetics of his predecessor, Rokubei IV’s works exhibit a calm, refined elegance. He mastered and reproduced a range of traditional ceramic styles, including Shigaraki, Iga, Nanban, Irabo, Ninsei, and Kenzan.
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